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Horizontal vs. Vertical Fist (page 6)
Page 1 - Page 2 - Page 3 - Page 4 - Page 5 - Page 6 - Page 7 - Page 8 - Page 9 Vertical punchers say that the elbow bows outward in horizontal punching When one stands in a standard fighting stance and extends the lead arm forward in a horizontal punch, there is a slight outward bend in the elbow because of the way the arm is constructed. When the fist is rotated to a vertical position, the natural bend is still there, except it is now pointed downward. There is no more body mass behind a vertical punch than there is behind a horizontal punch, since both have the same alignment with their common point, the shoulder. When punching with a horizontal punch, one could choose to bend the elbow more, but one could also choose to do the same thing when using a vertical punch; excessive elbow bend is not desired in either punch. The elbow’s natural bend is not affected by whether the fist is held in a horizontal or vertical position. Vertical punchers say that, with the elbow angled outward, it is more susceptible to injury than it would be if it was angled downward. They say the outward elbow also adducts the shoulder leaving it vulnerable to anterior dislocation. This may be true, but it only matters when you are punching in slow motion, as is done during a demonstration. At full-speed, it would be unlikely that the elbow would ever be hit in such a way to cause damage. Vertical punchers say that angling the elbow outward exposes the floating ribs and the pressure point in the pit of the arm. When you arm is extended in a punch, the difference in coverage offered by a downward elbow and an outward elbow is negligible. Vertical punches say the vertical punch is more natural When you irritate a small child, he or she will ball his or her fist and punch, not with a vertical fist, but with a horizontal fist. It is the way humans are constructed. If you walk up to a random number of people on the street and ask them to extend their arms to the front, how would most of them extend their arms? I have not done this on the street but I have done it with groups of new students. When extending their arms, they all extend their arms with their palms downward, thumbs pointing inward (hands horizontal). This is a natural movement; the arm is relaxed, except for the tension required to hold the arm up. To rotate the hands until the thumbs are pointed upward (hands vertical) requires a conscious effort and requires conscious effort and muscle tension to keep them vertical. If the muscle tension is released, the hands return to a horizontal position. Holding hand in full pronation (palm downward) or full supination (palm upward) position requires the use of some intrinsic muscles of the forearm known respectively as the pronators and supinators. In the uppercut punch hand position (palm upward), the hand is in full supination, while in the horizontal punch position (palm downward) the hand is in full pronation. Vertical punchers believe that, when the hand is held so the palm is inward, that the two sets of muscles are in a balanced position and thus make a punch more powerful. One example they give to prove that the vertical position of the hand is more natural is that this is the way the hand is positioned when reaching out to shake hands with another person. However, in this example they confusing cause and effect. They think that the hand position in the handshake (effect) is caused by the way we naturally extend our hand. However, the way we extend our hand for a handshake (effect) is actually caused by the way we must position our hand to shake hands. Try this:
What is the position of the fists? They are horizontal. Now rotate them into a vertical position. Notice how this takes a lot of motion and effort. Now try this:
Think about this while your arms are outstretched. If you had to hold your arms arms outstretched for as long as possible to beat other contestants for a million dollars, which palm position would you chose, palms facing inward or palms facing downward ? Page 1 - Page 2 - Page 3 - Page 4 - Page 5 - Page 6 - Page 7 - Page 8 - Page 9
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