
Sponsored Links | ® 

© 2000 by TKDTutorage - All Rights Reserved - TKDTutor.com - Email TKDTutor Home- Emails 100-109 -Emails 90-99 - Emails 80-89 - Emails 70-79 - Emails 60-69 - Emails 50-59 - Emails 40-49 - Emails 30-39 - Emails 20-29 - Emails 10-19 - Emails 01-09 Highest numbered emails are the most recent Click an email to show or hide its reply Submit Your Own Question or Comment
Email 79. None (xx/xx/xx) Reply. None. Comments. None. Email 78. I watched the video clip Blotched Self-Defense Is Worse Than None At All and could not help but come to the conclusion that it is probably fake. Pause it at 48 Seconds, the point where the shot JUST goes off. Notice that the shooters arm is entirely free. The gun, as well, is free and no attempt is being made to grab the shooting arm or the wrist or even his hand or gun. With 3 people on him, each one of them (I would think) would have tried to grab the gun arm and stabilize it while pinning the man down. This video seems fake. I guess the men could just have been really stupid. Even the part where one guy had the shooter by the hair. Why didn't he just pull the guy’s head to the ground and hold him down with his friend? I have seen a lot of videos on cop shows like this one that are obviously faked. There’s no law saying they can't be faked. (01/07/07) Reply. It is good to be skeptical; skeptics are seldom fooled. However, sometimes the skepticism leads to vindication of the item in question instead of conviction. When analyzing this video, you should: Consider the source. This appears to be a clip from a news service. Although there are exceptions, most reporters verify their information. Consider any motivation for faking it. For it to be a fake, someone would have had to go to a lot of trouble for only a few seconds of video. Consider what an ordinary person might do under the same circumstances. In court, a jury is not supposed to consider what they might do, or what an expert might do under the same circumstance; they are to consider what an ordinary person might do under the same circumstance. The clip is shown in slow motion; the entire confrontation actually only took a few seconds and the aiming and firing of the weapon only took a split second. Although the law says that a spit second of aiming and firing is all the thought that is required for premeditated murder, it is not enough time for a victim to react, even if he is martial art master. Think about your last sparring match. After the match, you probably thought, “Why did I do that? I should have reacted to that attack differently.” Think about a clash during a match; how much thinking did you do during the clash? You probably did not consciously think during that couple of seconds, and you are a trained fighter who knew what he was getting into and was prepared for it. What can you expect an untrained fighter to do when suddenly thrown into a life or death struggle? It is difficult enough for one person to do the right thing, now try to get four people to do the right thing at the right time. Even if you know what to do, such as grabbing an arm, one of the other people may pull the person away before you can grab it. When fatally shot it in head, you do not grab your head or stagger backward, you just collapse to the floor—you are dead—there is no muscular tension in the body so it limply collapses, just as in the video. Have you even been near a revolver when it is fired? Smoke and unburned gunpowder blast out the muzzle in a large cone shape that spreads to the sides, and they blast out the side of the weapon between the front of the cylinder and the back of the barrel. This blast can burn and temporarily or permanently blind as person close to the weapon as it fires. The sound a gunshot is deafening, especially in an enclosed space and near your ears. This is not the sound of a blank fired in television show or a movie with the sound reproduction limitations of the medium, it is the sharp, tremendously loud sound of a large amount of gunpowder exploding. The sound will cause your ears to shut down and your brain to freeze for a split second; then your ears will ring for hours. It is difficult to think in this type of situation. Consider the how the information is being presented. To be able to record 24 a day and be able to save the recordings economically, surveillance cameras have low resolution and record at a slow frames-per-second, therefore, their images are poor, and there are gaps in the action. Contrary to what you see on CSI type television shows, you cannot magnify a low-resolution image to see more details. For example, try to magnify a cell phone camera image as you would an image from a digital camera. The slow frames-per-second recoding rate means the video is jumpy and sometimes omits critical actions. Search for collaborative information. In this case, check out Malcolm Pearsall’s conviction at: http://www.mtpleasantdc.org/forum/download.php?id=89&sid=d7b4dd5125693daf7b3e7ac9c0ed9f41
If you slow motion or freeze a video of a sparring match, you will see a kick headed toward the opponent’s head and wonder why the opponent did not block the kick. In real time, things do not happen in slow motion. If you could stop time, everyone could make the right decision. As trained fighters, we know that, in this situation, one person should have grabbed and controlled the gun by grabbing the cylinder and hammer and twisting it, while the others beat the crap out of the attacker, bashing his head into the floor, jabbing fingers into his eyes, ripping his ears off, and bashing his face with elbow strikes. The gun can kill, but not without the trigger being pulled. If the attacker is unconscious or dead, he will not be pulling any trigger. If the robber wanted to kill, he would have shot everyone at the beginning and took their money, not just threatened them. It was the reactions of the men that got them killed. If they had just given the robber their money, they would all be alive. If you are going to resist, you had better know what you are doing; unless you know the attacker intends to kill you, which means you need to do any and everything you can to resist. After scrutinizing this video, it appears to be legitimate. It shows how your life may end, or be forever altered, by a decision that has to be made in a split-second under extraordinary circumstances. Comments. None. Email 77. Thank you for your advice on my previous questions (see Email 75). I have been reading about General Choi on your web site and I find him to have been a very inspiring person. I need advice on a few other things. (1) I am a yellow belt and my instructor says I have a perfect build and height for Taekwondo and that I do great kicks, but that I need to concentrate more on the basics. However, I get bored doing basics all the time. (2) One of the reasons I started Taekwondo was to learn discipline and control and to incorporate it into my everyday life. At college, I find it hard to sit down and do written work and homework; I want to be doing something practical all the time. I am a performing arts student and hope to go into doing fight choreography in films. How can I learn to be more patient? (3) My main concern with flexibility is that, when I watch high rank black belts doing patterns where they hold a kick leg in the air, I want to be able to do that. I apologize for any spelling mistakes; I am not that good a speller. (01/06/07) Reply. So many people go though their lives thinking that merely being alive and having babies is the purpose of life. Thankfully, there are people who think life is not a gift but an obligation. They do not simply exist, they try to make a positive impact on the world. Even through some people may not agree with General Choi’s politics or his views on Taekwondo, he achieved a lot during his lifetime, and he had a positive impact on the world. Here is some advice on your listed concerns. 1. It appears that you have a good Taekwondo instructor. While it appears you want to be a great Taekwondo performer, he wants you to be a great Taekwondo martial artist. If you rely on your athleticism to achieve greatness, you may achieve it, but as the athleticism fades, so will your greatness; then, at some point in your life, probably too early, you will become another “has been.” However, if you strive to become a great martial artist, your greatness will never fade; it will just evolve. As your physical abilities fade, your experience, knowledge, and lifelong training for perfection will take up the slack and you will still be able to maintain your greatness. In Genera Choi’s last years, his physical ability faded, but he was still sought for his wisdom and knowledge. You do not reach greatness; it comes to you as you work to be the best you can be. The more you work and the closer you come to greatness, the less that reaching it means to you. It is not reaching the destination that means the most in life, it is how you live your life during the journey. 2. As I said in my answer to one of the questions in your last correspondence, you have to decide what you want to do: be a martial artist, or be something else. If you want to be a martial artist, it takes lots of practice; if you want to be a great martial artist, it takes lots and lots of long tedious practice. Tiger Woods still spends hours on the putting green practicing his putt. Great musicians still practice their scales. They realize the importance of practicing the basics, If you want to do tricks, there are martial art schools that teach tricks. If you want to be a martial arts choreographer, you do not need to be a great martial artist. Choreography is nothing like combat, it more similar to dancing. There are schools that teach fighting choreography if that is what you want to do. Patience is not something you can take a class to learn; you either have it or you do not have it. If you do not have it, no amount of wanting it or hounding by others will help you get it. You may improve it, but it is just not part of your personality. If you are an impatient person, you just learn to live with it, and others that want to get along with you will have to accept it. You will have to do things that do not require patience; otherwise, even if you do find success, you will not be able to enjoy it. I too am an impatient person. I have to be doing something all the time; I consider the need for sleep to be a nuisance. I find that I am most impatient when doing something that I do not enjoy doing. When I enjoy doing something, hours pass without my realizing it. People wonder how and why I spend so much time on the web site; it is because I am creating and I enjoy it. I enjoy Taekwondo, so I train on perfecting the basics everyday. 3. When you reach black belt rank, you will probably be able to hold an extended kick that way. However, that is not the way General Choi envisioned Taekwondo kicks. Taekwondo was formed by a group of masters who were mostly ex or current military. It was created as a Korean way of hand-to-hand combat, not as a way of performing. Flexibility and power are not necessarily complementary. I have seen highly flexible people who could not kick high, especially with any power, because they did not have the overall muscular strength required to lift the leg quickly and with power. I have seen very powerful kickers who did not have the flexibility to kick high. Sport Taekwondo fighters kick to head, not just because it gives them more points, but mainly because the rules make it easy for them to kick high. Mixed martial artists rarely use high kicks. When an opponent can punch, grab, and use takedowns, high kicks are dangerous. In the street, high kicks will get you killed. Quick, powerful, focused, and accurate kicks that may be fired without any warning are more important than high kicks. Do not be so concerned with flexibility. When doing conventional stretching exercises, my instructor is not very flexible. I am more flexible than he is and I am 30 years older than he is. However, he can perform high, near perfect kicks (I cannot). His flexibility comes from years of trying to perform perfect kicks. He is only flexible where he needs to be flexible to perform proper kicks. His philosophy appears to be, “I am a professional Taekwondo instructor; that is what I do. Therefore, I do that which makes me a better at what I do. I do not have the time to do, nor do I see a need to do, things that do not make me better at what I do.” As to your apology for your spelling errors, it appears your misspelling and poor grammar are a reflection of your impatience. Dictionaries and spell checkers make everyone a good speller, as long as they take the time to use them.. Comments. None. Email 76. I agree with your thoughts about the belt system. It would be nice, however, if students would train with the goal of learning an art, not with the goal of owning a belt. A friend in my school once said to me at a belt ceremony “you realize that you are really not a better martial artist today than you were yesterday, right?”. Of course, his comment was meant as a joke, but there is a lot of real truth in that statement. Progress is slow and steady and takes years, and isn’t defined by large, sudden jumps in ability as the belt system might imply to some. Sometimes, I think that other students think, for example, that once they pass their green belt tests and attempt to pivot their base leg correctly that they have learned the sidekick and that it’s time to move on to other, bigger things! I am currently a green belt (and need to work on my sidekick for the next 10 years) and hope that I will always keep my rank in perspective. I hope I can always evaluate my technique honestly to measure my progress and not just look down at my belt. (01/05/07) Reply. Thank your for your kind comments about my web site. I am glad it has been of service to you. You are right! We have become a society that expects instantaneous gratification. People want the glory, but they either do not want to do want it takes to earn it, or they do not have the patience to wait for it. One recent reader was lamenting that, after 9 months in Taekwondo, he still cannot do full spits or trick kicks as some masters are able to do. Ranks are steps that indicate progression along a stairway toward the top; they are not destinations in themselves. Basically, rank only indicates how long you have been on the journey; they just indicate how many steps you have taken on your climb toward the stop. After a certain amount of time climbing, you are expected to have reached a certain step in the climb, but reaching that step is nothing special other than it indicates you are still climbing. Similar to ranks, birthdays are steps in one’s lifetime. I turned 61 recently. Suddenly I was a year older, even though I was only a day older than the day before. Reaching another birthday is not an accomplishment in itself; what is important is what you have done with your life while reaching that step. If life is a journey, then the end of that journey is—death. So the end of the journey is not something you want to reach, it is just something that you are forced to near as you climb. If you quit climbing, your journey will end, and, just as if you were on an escalator, the stairs themselves will carry you very quickly toward the final destination but the arrival will not be pleasant one. However, if you keep climbing, as you reach the end, you will have the joy having completed a meaningful climb. Some think that taking a step is some great achievement. They stand on the step, look down on all those on the steps below them, and feel superior. Instead, they need to turn around see the long climb that still remains ahead of them, and keep climbing. Sometimes, people on the lower steps will grab you and try to hold you back, but thankfully, there are those on the higher steps who will reach down and help pull you up to the next step. For the ones who see the light at the top of the stairs, they know that reaching the top is not the ultimate goal; it is the climb that is most important. As one nears the perceived top of the stairs, the top is no longer important; the last step is just another step. For the great ones, there is never a top of the stairs. As they look up the stairway, they see an endless string of steps leading into a bright light. As they draw their last breath, they are still struggling for the next step. As I mentioned before, I turned 61 recently, and my best birthday present was sparring in class last night. First of all, it was great to be able to spar, then it was great being able to effectively spar students 20, 30, and 40 years younger than I am. I can do it not because of great athletic ability, but because of technique. I train everyday on the heavy bag perfecting technique and control. This allows me to be able to jump all over an opponent with quick strikes that come too fast to block and are so powerful they cannot be knocked away, and yet they are so controlled that they never do harm. If you concentrate on perfecting techniques, you will not get instant gratification while sparring. In fact, you will probably get beat a lot because, even though your opponent’s attacks may be sloppy, they still score. However, the problem with sloppy techniques is that they stay sloppy. If you improve a sloppy technique, it only means that it will get sloppier. However, when a good technique improves, it becomes closer to perfection. If you persist at trying to perform perfect techniques, at some point your techniques will start to overwhelm sloppy techniques and you win every fight. Watching an artisan at work is inspiring; seeing perfection at work brings tears to your eyes. I have watched my instructor spar many times so I know he is good, but one time I went with him to a rank testing in another city. Two 20-something black belts were testing, and they were good; they were whipping up on all the other testing students. The head instructor of the testing asked my instructor to spar them. It was a beautiful thing to behold. As he sparred each of them, he picked them apart with powerful, clean, perfectly focused techniques as a vulture would pick apart road kill. He did not hurt them, but they were completely demoralized; they knew they had a lot more to learn. You have the right attitude. Keep climbing toward the light, and hopefully, you will—never reach the top. Comments. None. Email 75. I am 17 years old. Question 1: How can I improve my control when sparring? I keep hitting people when I don't mean to. Question 2: What is the best way to improve my flexibility? I have good flexibility and can kick very high, but I cannot do full splits and can only hold my leg out at a 90 degree angle. I see the fantastic kicks some martial artists do and I want to be that great. I have my first tournament coming up in June and I want to win. (01/04/07) Reply. Question 1: How can I improve my control when sparring? In two words, practice and experience! To have good control, practice using good control. The first time you tried to touch your nose as a baby, you probably poked yourself in the eye. Now you can do it with the slightest touch, even in the dark or with your eyes closed. Sport Taekwondo does not train for control as much as does traditional Taekwondo, so most sport students do not have much control. If you train for control, you may hit soft, or hit hard; whereas, if you only train to hit hard, you will have difficulty hitting soft. To get better control, train everyday on a heavy bag striking with punches and kicks. Strike with full power and speed, but only touch the bag. Practice while moving and while using combinations. Stay relaxed as if you were a marionette being held up by strings and would collapse in a pile on the floor if the strings were released. As you move about your house, strike at various objects with focus and control (be careful however, I have broken various things, including my hands, while doing this in the past). Consider a perfect technique as one that is perfectly formed, is delivered with power and speed, and which stops at a precise point in space. Plains Indians considered being touched with a coup stick during battle to be a fate worse than being bashed with a tomahawk. Opponents respect perfectly executed techniques that, although did not touch them, could have harmed them if you had so desired. Question 2: What is the best way to improve my flexibility? First, you have to decide what you want to be good at doing, Taekwondo, or yoga. If you want to have good overall flexibility, then practice yoga stretches and postures. If you want to be good at doing Taekwondo, practice kicking and the movements involved in kicking. Only people who are born with super flexible joints are able to do full 180-degree spits, everyone else should only expect about 160 degrees as a maximum. To kick effectively, you must have some joint flexibility for speed, muscle tone for power, proper technique, and enough training so that all movements are committed to muscle memory. Which would you rather be able to do, kick straight up, which is useless, or kick straight out with enough power to punch a hole in a brick wall? To practice kicking movements, hold on to something and perform slow, perfect kicks. Put your foot on some high object, hold the foot, leg, and body in perfect position, and then bend the support leg to stretch the muscles. Perform slow kicks with leg weights. Do not kick at sparring speed with leg weights; you are then training your body to kick with weights so it will be learning incorrect movements. To get ready for the tournament, train daily. This does not mean doing the same thing everyday or spending hours training everyday. It just means that each day you should repeat numerous times all the things that make you good at Taekwondo. Punch and kick on a bag for a few minutes with focus, power, and control; do some weight training or other strength building exercises, jump to strengthen the legs, do sprints (not distance running) to build endurance for fighting in spurts, practice your forms in the same way you want to perform them in competition, and, when not training, think about the motions you should do to perform perfect techniques. For a person to be good at anything takes time and lot of work. To be great at something physical, you have to be born with the right physical makeup, and then you build upon it. If you do not have the genetic makeup needed for physical greatness, you may still work to become the best that you can be. To be great at anything, you must have the ability to become great at it. Do not except to become great at something just because you want to great at it. Find out what you are good at, and then work to become great at it. You may become great at Taekwondo, or, due to your physical makeup, you may never become great at Taekwondo, but could have been great at some other martial art, such as Judo. Work hard at Taekwondo but keep your priorities straight. Work harder at what will make you successful in life more than you work at something that merely gives you pleasure. Comments. None. Email 74. I have been taking Taekwondo classes in a small town. My instructor has been rushing students through forms, one-steps, and sparring, causing a number of students to drop from the class. When I ask for help on learning a something, he ignores me. When teaching us one-step techniques, he demonstrates all types of variations which confuse us. One night, he became visibly frustrated when I could not accomplish a technique properly and grabbed me too hard so I gave him the finger; I later apologized. He considers slow learning students as being “a bit on the retarded side." I brought two friends to class one night, one of whom had years of martial arts experience. When the friend asked too many questions, the instructor accused me stirring things up, said he would refund my money, and that he did not want to see me or my friend again, Is there a way of verifying if this instructor is bona fide. Should handouts be part of the standard curriculum? What did I do wrong? (12/18/06) Reply. In the business world, there is something called the “Peter Principle,” which basically says that a person usually always achieves the level of his or her incompetence. Therefore, in any organization where a person gets promoted to the next level due to doing well at the current level, there will be eventfully be a point when the person reaches a level at which he or she will no longer do well, the level of incompetence. The usual procedure is that the person will no longer be promoted, but, instead of being demoted back to level where the person was competent, the person remains at the current level and continues to be incompetent. This phenomenon also occurs in the martial arts. When it occurs in the martial arts, sometimes the person becomes frustrated at not getting promoted, so the person invents his or her own martial art and promotes him or herself. The problem is that the person is usually incompetent even in his or her own martial art. Another problem is that sometimes when a person is doing well at one job, he or she is promoted into another job at which they are incompetent at performing. For example, an excellent patrol police officer is promoted to detective where he is she is incompetent. As a detective, the person will continue to perform poorly, while, if the officer was put back into patrol, he or she would again excel. In the martial arts, when a student shows a keen interest in the martial arts and is demonstrating excellent technical skills, the student is usually encouraged to become an instructor. Once in the instructor program, if the student keeps attending and paying, he or she will probably become an instructor. Therefore, there are many certified, but incompetent, instructors; and many more have no certification whatsoever. Since there are no local, state, national, or international laws that regulate who may teach the martial arts, anyone can do it. There only way to know whether or not a person is a real instructor is in the quality of the instruction. Quality instructor’s use a tell-show-do approach: they tell you how to do it, show you how to do, and then have you repeatedly practice doing it until you can do it. At a typical class at the school at which I teach, there are at least three doctors and two janitors, a teenage genius that knows everything and a downs syndrome man, the able bodied and one totally disabled veteran, and there are athletes and klutzes. They all leave class having learned something, having had a workout, having improved their Taekwondo skills, having more confidence in their abilities, and, most importantly, having had fun; and I am not near the quality instructor as is my instructor. At every place I have ever taught, there have always been times when some black belt or student from another art or school would visit to check out things or give his or her opinion. It is to be expected, so most instructors do not mind. If they are confident in their art, their knowledge, and their abilities, then they enjoy a challenge. Handouts are not required, but I have always received them where I have trained (I still have the handouts I received in my first karate class in the 1960’s) and I have always prepared handouts for my students. A martial art instructor’s job is to teach students about the art and how to perform it. Class time is when students learn techniques and practice them under the critical eye of the instructor; there is little time to learn much about the martial art itself. That is where handouts come in; they allow students to learn the intricacies of the martial art while they are not in class and they permit students to review at home what they learned in class. There is a high turnover rate in martial arts classes. Out of a typical beginning class, half will be gone in few week or months, and only a very few will remain after a year. This means, to keep the classes fresh, instructors continually have to do things to bring in new students. When surveyed about what they like best about their martial art classes, most students say that it is the physical workout combined with a social atmosphere. The more people in a class (within reason) the more enjoyable the class. The fewer the students in a class, the more the class feels like work instead of fun. In addition, some instructors teach better in large classes, some better in small classes, and some do well in both. My instructor has always done well at both, but I generally need 8 or more students for me to get motivated. When teaching a new form, if students are picking up the movements quickly, I tend to teach them more of the movements. My instructor is always telling me only to cover a few techniques each night, no matter how fast the students seem to be learning the techniques. He stresses that when movements are taught a few at a time, they are better retained by the mind and body of the students. The point of teaching a form is not to just teach the form, it is to insure each student knows and understands the form and is able to perform the form. No matter the teaching style, if the student cannot perform the form properly, the instructor has failed. As to whether the situation between you and your instructor was handled correctly, by either side, since I was not there, I cannot help much. It appears you may have overacted some, but from what you have told me, the instructor is either incompetence or a fraud. When an instructor takes money for his services, it means he is indebted to the students. While students should learn to get along with the instructor, but the instructor must get along with the students since they are the paying customers. At least your instructor is willing to refund your money. That does not help you much since you wanted to learn a martial art, but maybe you will be able to find another instructor sometime. Note I have had other correspondence with this person about the instructor in question. Due to the instructor's behavior, the person went through local law enforcement and found the instructor was a martial art fraud and a convicted pedophile. Comments. None. Email 73. How many versions the heel kick are there? (12/14/06) Reply. The basic kicks are (kicks may be used individually or in combination): Kicks have the following variations (not all variations are available for each kick and variations may be used individually or in combination): Kicking leg may be: Leading (front) Trailing (rear)
Body position may be: Standing Kneeling Lying Airborne
Kicks may fire: Kicks may be performed with: Additional motions may be: (Motions may be forward, backward, or lateral; low or high; on floor or airborne) Striking areas may be: Other striking areas may be: Comments. None. Email 72. Could you please tell me what is or what was the blue cottage? (12/07/06) Reply. General Choi Hong-hi is considered by some as the founder of Taekwondo. As a young man, he trained to be a calligrapher and he was supposedly given the penname Chang-hon or "blue cottage" by his calligraphy teacher and Taekkyon master, Han Il Dong. Later in life, after Choi himself became a martial arts master, he used Chang-hon as the name for the pattern set he developed for Taekwondo. I have not found any explanation as to why Choi’s calligraphy teacher selected Chang-hon as a penname for him. Comments. None. Email 71. How is the heel kick executed? Is it similar to motion of the straight leg outside crescent kick? (12/01/06) Reply. In answer to your last question, the heel kick motion is similar to the motion of the straight leg outside crescent kick. For a lead (front) leg heel kick, lift the knee upward (at least hip high) and backward toward the opposite side as far back as it will go comfortably. As the knee lifts, the shin lifts with it and ends up parallel to the floor with the foot pointed toward the target and also parallel to the floor. This completes the chamber. The kick then fires to a point about 12 inches to the outside of the same side of the target. To fire, the body, hip, and leg muscles push the knee (do not think about the foot or leg, think about pushing the knee toward the target) forward in a straight line (think of the leg as piston on its power stroke) and, as the foot approaches the point to the side of the target, the knee straightens and stays straight (but not locked) as the body, hip, and leg muscles and twisting of the body push/pull the leg sideways into the target with the back of the heel making contact. The foot, hip, and body remain in a straight line and move as a unit as the foot moves into and through the target. The knee stays straight until the knee is pulled back into the original chamber position. From the chamber position, the foot may be returned to the floor, or another heel kick or a different kick may be fired. The heel kick is executed in the same manner as the hook kick, except for the motion of the straightening of the knee and the alignment of the foot, knee, and body as the foot moves into the target. In the hook kick, instead of the knee staying straight, the heel is pulled backward toward the butt while the upper leg, hip, and body keep pushing and pulling the heel into and through the target. In the heel kick, the knee stays straight; in the hook kick, the heel snaps backward as the knee whips it into the target. Comments. None. Email 70. Why don’t we fight the way we practice our forms? Why learn all these traditional stances, chambering, reaching for blocks, etc. when in the end we fight like a kick boxer...if we fight like them why don’t we train like them? I feel frustrated because I try so hard to remember to chamber and to reach correctly. Is this because the forms practiced in ITF Taekwondo can not really be directly applied in a self defense situation. Reply. This is a good question. I think every martial artist with an analytical mind has probably wondered the same thing. The answer is simple—it is because Taekwondo a martial ART. Warriors love to fight. When there is peace and no enemy around to fight, they found that, if they were careful, they could fight each other. This sitting around and training during peacetime led to the development of fighting systems. During times of war, you are using techniques, keeping what works, and rejecting what does not work, but you do not have time to think about putting it all together into a system. Due to having to camouflage the meaning of their movements, or while to tying to find a way to safely train, they began using patterns as way to practice. Gradually, the practice of the patterns developed into an art form, almost a separate entity from the fighting system it represented. The fighting (martial) systems became known as arts, and then became know as martial arts. Nowadays, most martial arts use patterns. They allow people who do not want to fight a way to practice and compete in their art, and they let people express their artistic side. I tell students that sparring is instinctive and physical, while pattern performance is thoughtful and emotional. When sparring you use your body, in pattern work you use your brain. While watching sparring, the crowd cheers, much as they do at football games. While watching people perform patterns, the crowd is quiet, except at key points, much as they are at golf tournaments. When you spar and lose, it is usually because the opponent beat you. When you perform a pattern and lose, it usually because you beat yourself. Breaking is both a mental and physical endeavor, with a little physics thrown in. You may be beaten in a break if you are mental or physically weak, or if the breaking medium is unusually hard, but most breaks fail because of a weak mental component. A person may be an expert at driving a car, and at riding a motorcycle. Although operating both vehicles involves many of the same skills, they each also require entirely different skills. For example, to make an emergency stop with a car, you only have to slam on the brake pedal with your foot, and, since most drivers primarily drive cars, this is practically instinctive. To make an emergency stop with a motorcycle, you must simultaneously squeeze the front brake lever with the hand and press down on the brake lever with the foot. This takes finesse, and since even avid motorcycle riders do not ride as much as they drive, many motorcycle riders do the wrong thing. Sparring requires one set of skills, while pattern performance requires another set of skills. While performing each activity requires many of the same skills, they each also require very different skills. Practicing one will not detract from the other, except for the training time that may be subtracted from one to allow time to train for the other. In fact, since many of the skills complement each other, practicing one may enhance the other. If you can do one hundred full-motion pushups using perfect technique, you can easily do a few hundred of the half-ass pushups most people do. If you can perform a perfect full-motion inner forearm block in a pattern, it is easy to perform the block while sparring since it requires less motion and less effort. However, the opposite is not the case. You may be able to perform a highly effective inner forearm block while sparring, but not have a clue how to perform the block in a pattern since, in the pattern, the block must be exaggerated and performed perfectly. Pattern movements and one-step movements are used to build muscle memory so the nervous system learns to act and react with little to no conscious thought on your part. For example, you do not think about applying the brakes a stop sign. When the need arises, a trained body will automatically do what is required. Sparring a lot will accomplish much the same thing, but how many people are willing, or able, to spar as much as would be required to achieve the same benefit. Since sparring and pattern performance require different skills, some people are good at one and not too good at the other, while some are good at both. In addition, some people may enjoy one, but not the other. If you enjoy pattern training, that is good; if you do not, then pattern training will just be one of those things you must endue so you can keep doing what you really enjoy. Even if you do not enjoy pattern training, it will still help your sparring. I do not particularly enjoy patterns, but there are times when I enjoy them more, and I can definitely see an improvement in my overall skills when I spend more time practicing them. Patterns are like the family dog; no matter how much you dislike it, if you keep it around and feed it, it will still come to your assistance when you need it . Email. So there is no direct relation between fighting and patterns other than patterns help in execution of techniques (because of the over exaggeration of motion). Basically, forms are a way of persevering the past. I guess they could also be seen as a form of moving mediation. Do you feel the mastery of forms are absolutely necessary in being able to spar and defend ones self? Could TKD exist without forms? Reply. Forms training is not necessary for one to be able to spar or fight or defend ones self. For example, look at boxers, wrestlers, UFC fighters, street fighters, soldiers, etc. They are not concerned with forms at all. Could Taekwondo exist without forms? Yes and no. Many students would be overjoyed if forms training disappeared and they could just spar all the time. If forms were not used, some other type of training methods could be used to replace it, so Taekwondo as a fighting system could exist without forms. However, Taekwondo is a martial art. Without the art provided by the forms, the martial art of Taekwondo would cease to exist. Email. Sorry to bother you again but I find your replies very insightful. In soo bahk, they seem to spar like they do their forms. In Shotokan, they reach for their blocks and chamber their punches when they spar. Is this was how Taekwondo was originally designed to function? I can see how it can be easy for something to see a Taekwondo form and say it is useless for fighting and unrealistic. Reaching for blocks and chambering seems like it would take to long to apply in a real fight. Can you explain this to me? Should we reach for a block when we free spar? Reply. Forms, sparring, fighting, and self-defense and are all separate parts of the whole of a martial art. Forms. Forms are an artistic exercise in perfection; they are arts part of the martial arts. You compete against yourself by performing prearranged techniques in a perfect manner with intense concentration. In competition, you perform as best as you can at that moment. Your performance is the same whether you are alone in a room or in a ring in front of thousands of people. You perform as a robot, the same every time. Sparring. Sparring is a game in which you try to get more points than the opponent. You are willing competing against an opponent with no harm intended, you use techniques with a high probability of scoring, and you are willing to give up 1 point if you can score with 2 points. You perform as a computer, trying to outthink and out maneuver your opponent. Fighting. Fighting is mutual combat. You are willing fighting an opponent, trying to harm the opponent but the amount of harm depends upon the formal or informal rules of the fight, and you realize you will get hit a lot, The goal is to win the fight, but not to die, you want be able to fight again on another day. You perform as a gladiator, fighting because you enjoy fighting. Self-defense. Self-defense is used to protect you against an attack. You are unwilling fighting because you have to, you will use deadly techniques if necessary, and you cannot take the chance of getting hit even once. You perform as an animal, instinctively and viciously. Techniques that are used in sparring may work for fighting or self-defense, or they may get you killed. If you use fighting techniques in sparring, you will get disqualified. Self-defense techniques are deadly and are not appropriate for sparring or fighting. If you spar, fight, or defend using techniques the way they are used in forms, you will lose while sparring, get beat up while fighting, or die while defending.
As an analogy, let us assume you are a golfer. Golfing is comprised of three skills: driving, chipping, and putting. If you want long golf drive, you practice on the driving range. To better your short game, you practice chipping and to better your putting, you practice on the putting green. Driving requires a long chamber with large, powerful, movement; chipping requires a shorter chamber with precise movement; and putting requires almost no chamber and finesse in movement. To be a good golfer you must be must be good at each skill. For example, if you are only a good putter, you may be astounding on the green, but you will be pathetic on the fairways. If you want to be good at sparring, you spar a lot. If you want to be good at forms, you must practice them repeatedly every day. However, to be a good martial artist, you must be good at both. I used to train every day in either Taekwondo or Judo, some days both. While sparring in Taekwondo class, I was never tempted to grab or throw the opponent, and, while in Judo class, it never crossed my mind to kick or punch the opponent. They are two different arts that require two different skill sets and two different states of mind. When I practice forms, I block using exaggerated movements with a snap at the end and split second hesitation before retraction. I tell students it is similar to being a stage actor who is performing for the patrons in the last row of the balcony. You want that row to be able to see, know, and appreciate what you are doing. When I spar, I block with a short snapping motion and the arm is immediately snapped back to guard or used in a counterattack. It does not cross my mind to reach and chamber before the block, that is a technique only used in forms. If your watch you will notice that competitors who specialize in forms are also good at sparring. However, competitors who specialize in sparring are usually not too good in forms. Forms practice helps in sparring, but not so much vice versa. Practice forms; practice sparring; practice self-defense techniques; and, if desired, practice fighting techniques. Use each method when it is required and do not worry so much about which is better than the other. Comments. None. Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, Taekwondo, Taekwon-do, Tae Kwon Do, TKD, | 
Site Links |